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She is desperate to find another husband and to that end is fixed up with a great many men, all of whom she finds wanting for one trivial failing or another. This detail Wolfe slips in unobtrusively, so as not to shock the beehived matrons reading a broadsheet Sunday supplement in 1965. Like the “Cotton Exchange” lawyer wearing, to that picnic in Central Park, a shirt so obviously out-of-the-box brand new and bought for the occasion that the sleeve creases were still showing. Yet Helene cannot shake the impression made on her by Porfirio Rubirosa.
Or Pierre winding his watch before climbing into the sack. Rubirosa is a man of slight accomplishment, nominally a “diplomat” in service to Dominican tyrant Rafael Trujillo, as well as an amateur race car driver with a knack for not finishing.
His true profession was womanizing, and he was very, very good at it.
But any assertion of the converse is met with incomprehension, denial, and sometimes persecution.“[W]omen,” he wrote, “have simple tastes in the manner of Oscar Wilde: They are always satisfied with the best.” When properly channeled, hypergamy can be individually and socially beneficial.It encourages young ladies to become worthy of a worthy man, and vice versa.he literary establishment has worked hard to dismiss Tom Wolfe’s novels.John Updike’s calculated putdown—that Wolfe’s fiction amounts to “entertainment, not literature, even literature in a modest aspirant form”—represents the intellectuals’ consensus, but is more revealing than intended.
If reports of college men are to be believed, no more than 20% get all the action.